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Quintuple meter
Quintuple meter or quintuple time (chiefly Brit.) is a musical meter characterized by five beats in a measure. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are and , and compound quintuple meter is most often written in . A time signature of , however, does not necessarily mean that the bar is a quintuple meter with each beat divided into three. It may, for example, be used to indicate a bar of triple meter in which each beat is subdivided into five parts. In this case, the meter is sometimes characterized as "triple quintuple time".〔Read 1964, 152.〕 It is also possible for a time signature to be used for an irregular, or "additive" metrical pattern, such as groupings of 3 + 3 + 3 + 2 + 2 + 2 eighth notes or, for example in the ''Hymn to the Sun'' and ''Hymn to Nemesis'' by Mesomedes of Crete, 2 + 2 + 2 + 2 + 2 + 3 + 2, which may alternatively be given the composite signature .〔West 1992, 304–307.〕 Quintuple meter can also be notated by using regularly ''alternating'' bars of triple and duple meters, for example + , or + , or through the use of "compound meters", in which two or three numerals take the place of the expected numerator 5, for example, , or .〔Read 1964, 161 and 164–65.〕 Conversely, the presence of a or meter signature does not necessarily mean that the music is in quintuple meter. The regular alternation of and in Bruce Hornsby's "The Tango King" (from the album Hot House), for example, results in an overall nonuple meter (5 + 4 = 9).〔Hornsby 1995.〕
==History==
Before the 20th century, quintuple time was rare in European concert music, but is more commonly found in other world cultures.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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